
The Challenge
Seattle was about to launch its first modern streetcar line - a $600M public investment that needed public trust, political support, and a brand identity that didn't exist yet. There was no visual language, no campaign framework, no clear way to communicate what this thing was, why it mattered, or why people should care.
My Role
I was brought in as the Design Lead and Creative Manager at SDOT to build the Seattle Streetcar brand from the ground up and lead the creative strategy that would carry it from concept to launch and beyond.
The Process
It started with a simple overview of project that was presented to city council for budget approval. Working across departments: communications, engineering, city leadership, community outreach, I facilitated the conversations that helped us find the real story. Not "here's a new transit line" but "here's what this means for how Seattle moves."
From there I developed the full brand identity: visual language, campaign materials, wayfinding, public engagement tools, and executive presentations designed to build support at every level - from neighborhood meetings to City Council chambers.
The Outcome
The Seattle Streetcar launched with a clear, cohesive brand that earned public confidence and political backing. The creative strategy directly supported presentations that secured additional funding for extension lines. It became the foundation for Seattle's broader multimodal transportation identity - and remains one of the most significant brand systems I've built
The original Seattle Streetcar debuted in 1884 using horse-drawn trolleys and ended in 1941. The current streetcar line started with one line through South Lake Union and has since extended to cover the Pioneer Square, Capital Hill, and First Hill neighborhoods.

The Challenge
The City of Edmonton, AB was looking to redesign their bike map and outreach materials, but they didn't just need a new map. They needed people to actually use it, connect with it, and change how they thought about cycling in the city. A prettier version of the same thing wasn't going to get there.
My Role
I was brought in as the designer to reinvent and rebrand the bike map and programs for the city. As I talked more with the city's team, I discovered there was more needed than a simple redesign. They were focusing on increasing ridership and public awareness of the existing bike routes as well as the newly extended connections.
The Process
I facilitated ideation sessions with city internal team, bringing community insights into the room and using them to challenge assumptions about what the map needed to do. We prototyped early, tested quickly, and iterated based on real feedback rather than internal opinions.
The result was a campaign - not just a map. Visual language, outreach materials, and community touchpoints that worked together to actually change behavior.
The Outcome
The redesigned Edmonton bike map and campaign drove a 30% increase in public engagement with the city's bike programs. More importantly, it demonstrated what happens when you treat a design problem as a people problem first and build the solution from there.
While I was focused on how to get bikes around the city better, I learned that mountain bikes were a better option as there were several paths that went around lakes and through parks as well as harsh weather for a good portion of the year that made regular bike riding difficult.

The Challenge
The Regional Transit Authority of New Orleans needed to modernize. New bus routes were coming online, the historic streetcar system needed a brand refresh, and the assumption, like most cities at the time, was that the future was digital. The design work seemed straightforward: update the wayfinding signage, refresh the brand, move toward technology. Except the riders hadn't been asked yet.
My Role
I was brought in to lead the full creative scope - design new wayfinding signage for the updated bus route system, a brand refresh for the New Orleans Streetcar, redesigned bus pamphlets, safety and outreach campaigns, an employee handbook, and special events materials. But before I put pencil to paper, I ran design thinking sessions with the internal city team to make sure we were solving the right problem.
The Process
The design thinking sessions changed everything.
When the team went out and polled regular riders, the data pushed back hard against the phone-first direction. The majority of everyday riders - the people who depended on this system the most and in lesser-served areas, still preferred printed schedules and physical information.
So we rethought the situation. Not to scrap the modernization, but to make it smarter.
What emerged was a layered system that served everyone instead of assuming everyone was the same. In lesser-served neighborhoods, we added more kiosks and brought back printed bus schedules, making sure the people who needed this system most weren't left behind by a technology shift designed for someone else. In denser, higher-traffic areas used by locals who preferred digital and tourists navigating by phone, we introduced QR codes and digital ticketing booths that made the modern experience seamless.
The streetcar refresh followed the same philosophy. The historic brand needed to stay historic. That's part of what makes the New Orleans Streetcar iconic. We updated with modern wayfinding that helped riders understand how streetcar lines connected with the new bus routes. And when we looked at what tourists were actually asking for most? A brochure. Not an app. A physical souvenir of riding the streetcar in New Orleans. So we designed one.
The Outcome
The RTA ended up with a communication system that actually reflected how its riders moved through the city, not how the city assumed they did. The pivot from phone-first to a hybrid model came directly from listening to real people before committing to a design direction. That shift is what made the difference between a modernization project that served the system and one that actually served the riders.
The New Orleans streetcar has been continuously running since 1835. This makes it the longest running streetcar in the world. Defintely worth a trip to take a ride!
The Challenge
The Seattle Department of Transportation serves one of the most diverse cities in the country, but its communication, outreach, and internal culture didn't always reflect that. The city leadership felt that equity couldn't just be a policy statement. It had to be built into how the organization thought, communicated, and showed up for every community it served.
My Role
I was a founding member of the Race and Social Justice Initiative (RSJI) at SDOT, leading the branding and communication strategy for a program that had never existed before. The work wasn't just external - it was deeply internal. Cultural change from the inside out.
The Process
This wasn't a campaign. It was an ongoing, iterative process of listening, designing, testing, and refining. I worked alongside colleagues across departments to develop the language, visual identity, and communication frameworks that would make equity feel real and actionable - not abstract. We built training materials, internal communications, and public-facing outreach tools designed to meet diverse communities where they actually were - linguistically, culturally, and experientially.
The hardest part wasn't the design. It was helping people inside a large city agency see themselves differently, and then communicate differently as a result.
The Outcome
RSJI became an embedded part of SDOT's organizational culture, influencing how the agency approached community engagement, internal communications, and public outreach for years after its founding. It's the work I'm most proud of. Not because of what it looked like, but because of what it changed.
The first Mayor of Seattle, and in the US, was Bertha Knight Landes, elected in 1926. She was known as the housekeeping mayor. Like a lot of Seattle history, there's a funny story about that if you want to look it up.
The Challenge
The City of Seattle had a vision for the South Lake Union Roadway Commons - a major urban redesign that would transform how people moved through and experienced one of the city's fastest-growing neighborhoods. But vision doesn't fund construction. Two competitive federal TIGER grant applications needed to be developed, and they had to tell the right story.
My Role
I co-led the creative and communication strategy for both grant applications - translating a complex infrastructure initiative into a narrative compelling enough to win federal attention and dollars.
The Process
I worked across city agencies and private stakeholders, including Gates Foundation and Vulcan, to gather the right information, facilitated alignment sessions to get everyone telling the same story, and developed the visual and narrative frameworks that made the case clearly and memorably. Every graphic, every diagram, every written section was built around one question: does this help a reviewer understand why this matters?
The Outcome
Both TIGER grant applications were successful, securing $44M in federal funding for the South Lake Union Roadway Commons redesign and construction. The project moved forward. The work demonstrated what strategic storytelling at the intersection of design and policy can accomplish.
For the longest time, this area was called the "Mercer Mess" and was quite an embarrassment for the city as it was the main introduction to city when driving. There was an iconic pink "toe" truck that welcomed visitors to the city that can now be found in the Museum of History. and industry (MOHAI)
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